All the Figs.

Well, this started a whole thing this morning, this tweet from fellow writer, fellow mom, fellow weirdo, Cari Luna:

Billy just went upstairs to be alone, as if that's actually an option as a parent.

I think about this a lot. Not because I don't love my family, but because mothers are so rarely alone.

I am, by nature, a loner. If you've hung out with me, you might think otherwise. I'm social. I'm not an introvert. I like a party. But an essential part of me being able to think or create is being alone. I hike alone, or with my dogs. I've always gone on long walks alone. I'm fine eating a meal alone, or sitting at a bar alone, even when I don't appear to be trying to do something else, like reading, or texting on my phone. If I'm just sitting there, I'm ok. I'm listening.

When I was a kid, my mother was always doing something. The thrum of the sewing machine was ever-present in our house. She sewed, she painted, she made crafts. A lot of the things she worked on she also sold, so there was a money-making element to it. She was working. 

But I know it bothered her. I know, from her frustration, her irritation, that she wanted time to work alone. Sometimes, just our presence -- coming into the kitchen where she painted, or wrote, to get food or run the sink, or go out to the garage -- bugged her.

We're probably not supposed to be bugged, as mothers. It's not in our list of virtues, our best attributes.

So how are we supposed to get anything done?

Last week, I saw this comment from Miranda July, about her husband's work schedule, and their three-year-old son. No one asks the dads -- what are you doing with the children while you work? How are you managing to work your job and get everything done -- with the children?

Years ago, after a graduate workshop, when I had a then two-year-old and an eight-year-old, my professor asked me how I was getting anything done.

I ignore them, I said.

He answered: That's an excellent way to raise children. And he meant it.

I wish there was a typewriter in front of her.

I'm lucky. I get time away. I have places I can go for retreat. I take the train into the city. I am not working another job (although a lot of the time, this doesn't feel terribly lucky; it feels rather broke). I have a partner who shoulders a lot of the chores, makes lunches, walks dogs, does dishes. But that doesn't mean that I don't often feel like a possum with her children attached.

Because what I'm talking about is a feeling, not a list of chores. Look at the differences between Mother's Day and Father's Day: Fathers get the day to spend with their children, at a barbecue, at the lake. Mothers want a spa day to themselves.

I never wanted to be selfless. I never wanted to be that mother who gives up everything, who exists only to fulfill her children's needs. I cringe at mothers who identify only as "Someone's Mommy." And while I admire the fuck out of Julianna Baggott -- who manages to write in a scrum of children and dogs -- I never wanted to be that either.

I just want to be left alone.

Maybe this has something to do with queer motherhood -- with lying outside the bounds of good and godly heteronormativity where the mother, in her patience, wisdom, and thrift, is "worth more than rubies."*

Or maybe it has to do with my own peculiar artistic temperament, a need to create in a silent storm and then emerge to pack that's loud and laughing, and loves hard. A lot of it is about being good enough, about having enough, and doing enough. It's about guilt, and fear, and perception (both self and other). About having a made bed, a roast in the pot, and a manuscript underway.

It's about the fullness of agreeing to more than one fig at a time.

*Proverbs 31:10, obvi

The World Didn't End. But It Did, Sort Of

2012, I'm so over you.

Some years are bad years. I'm still not over 2008, or 2005 really, although 2005 had some really high points to it as well.

Here's a rough line up of some of the crazy shit that happened this year.

I pulled my kid out of school and homeschooled him for the spring semester. It was critical, and in some ways, it worked. If it kept him from being arrested or out of the hospital, then it worked. But because of that decision, I didn't actually lose my job at Syracuse University, but it was recommended that I never be rehired. Which is pretty much the same thing. You can read about that here.

I never revised my novel. I started to. I started again. I started again. And one more time. But never finished a revision to send to my agent. This is a real problem for me.

I tried to start my own consulting business, but never followed through on it. Also, a problem for me. Also, I tried this at the beginning of this summer, and as we say around here: this summer sucked.

I watched my kid (same kid) get into and out of an abusive relationship. It was intensely painful, for him, for me, and because of this, this summer really really sucked. I've never felt that helpless or trapped. Because of this, I haven't even written or really talked about this summer. It'll take a while for that writing to surface.

I got to meet John Taylor. Yep. That was my high point. He's extraordinarily sweet, honest, and humble. And still really handsome.

My mom came to visit. Which probably also should have signaled the coming apocalypse.

Geoff got a new job. Theoretically, this means he will travel a lot more, but it hasn't happened yet. Also theoretically, it should help pay off some of our exorbitant debt. Debt we accumulated after years and years of not making enough money but still buying houses and having kids. It hasn't happened yet. But maybe, in 2013, it will.

I set plans in place for a new book. A second book of stories. When I can, I will tell you more about that. But in the mean time, there's some champagne to be had. Because of the new book. Because things have ended. Especially this year.

This Writing Life

I was just admiring my friend, poet Jane Springer's work habits. She rolls out of bed, doesn't get dressed, sets up on the porch with her laptop, some iced tea, and a full pack of cigarettes and sets about writing. For the whole day.

I am a hub of distraction.

This morning, I slept in. Because last night, we decided to watch another episode of Twin Peaks at 10:45. And then, what's another glass of wine at 11:45? Before I went to sleep at around 1:00, I remember saying, You know what would be great? If you just shut the door and let me sleep tomorrow.

And I did. I said goodbye to my teenager, but missed the little one getting on the bus. I slept until almost 10.

When I got up, I got online, answered emails. Checked to see how many people liked the photos I posted on facebook. And got a phone call from my brother.

Cascade Mountains, WA

My mom is coming to visit for ten days. I saw her last in 2010, but she hasn't seen the rest of us since 2008. And while this should be totally exciting, it's really mostly totally anxious. Everyone is anxious. We're anxious about being anxious. And my brother's reaction to anxiety, especially high levels of it, is to talk about it.

At 11:05, I finally got off the phone, only to be called by the teenager, who was on his lunch break, and wanted a cigarette. So I drove to McDonald's, where they were all gathered, dropped of a cigarette and went through the drive-thru for a free cup of coffee and nothing else.

Because I'm also broke.

I haven't written anything yet. Or even opened up the dropbox where my writing is. Truth is, I probably can't today. Not with the anxiety hanging over me. I'll probably clean the house and walk the dog. The cleaning will be scattered and less efficient than usual. I'll flit from one task to another and the end result will be that the house won't look much different. But I'll pace around for a few hours.

Writers I know spend long days working, or reading, because that too is part of the process. My brain is like a misfiring weapon a lot of the time. Doesn't, or does, too much. Too rapid. I've been told to quit drinking, to go to bed earlier, to not answer the phone, to get help, to focus on my work, to become the asshole who can steal way, can hole up and write, as Sugar says, like a motherfucker. I've been told to man up.

But the truth is, this is who I am, and this is what has made me into a writer when I'm able to do it. I should do some of these things, sure. I should also eat more leafy green vegetables. I would write more if I could ignore the phone, if I could not be so invested in my kids.

And when I think of that, I think of when I used to go to mass with my parents, and the way my dad would grip my hand during the sign of peace. He'd grip it like it was all he had to hang onto. Us. Would he have been happier, more productive, if he could have shrugged us off a little and not clung so tight? Maybe.

And maybe I would too. But it's not in my blood.

Origins of the Novel

The first time I wrote and finished a novel I was sixteen. I wrote it in Mead notebooks in class, and sometimes at home. After I wrote the whole thing out in notebooks, I typed it on a plastic Smith Corona at a desk in the basement. I still have the desk (it's in my office). I still have the notebooks (they're in the attic). The Smith Corona is missing in action.

Yes, officer. I'm 16.

I would post a picture here of what I looked like at sixteen, but this should do it: I had an uncanny resemblance to the Les Miz poster. The picture on my first license looks just like that. Minus the flag.

Probably, the novel was ok. It was about a boy -- who was seventeen, had a single mom and some weird daddy issues. He was tall and beautiful, and had burgundy hair. He loved a girl, who was Ivory girl pretty, super smart, shy and bookish. Her parents were stuffy. They didn't like him or his looks or his single, cigarette smoking mom. They had sex. She got punished by her parents and was forbidden to see him. They ran away and her smooth talking, crazy -- did I mention crazy? -- boyfriend talked her into suicide, all while kind of ad hoc quoting some Keats.

I remember when I finished it. I was at the bar in my parents' house, and it was close to midnight on New Year's Eve. I remember that feeling of writing the last few words in pen, and closing the notebook.

Also, this is what I thought life was probably like. You meet a boy, you get in trouble, you have to die. No way out.

Heh. I'm so not changing the end of Daniel Deronda.

As far as I know, my mom knew I was writing it, but didn't read it. When I told her what it was about, and roughly how it ended. She told me -- very seriously -- that I had better change it.

Also, this wasn't the first novel. The first one -- same boy, slightly different circumstances -- involved the same single mom, but included her abusive boyfriend. This guy was an asshole. And the kid, he's so sweet, so pretty, so shy. He had a friend, too. A sassy younger kid, even prettier. The mom's boyfriend had a bad habit of beating the shit out of my character. Their apartment was grim, dark and run down. The porch slanted toward the street, and the kids had a habit of sneaking in and out of an upstairs window in the middle of the night.

This was eighth grade. My mom read parts of it, and told me -- matter of factly -- that perhaps the boyfriend was misunderstood. And maybe the mom was misunderstood too. Maybe she shouldn't be painted as such a terrible person for staying with the boyfriend.

My genesis for this triangle: David Copperfield. I was in love/hate with Mr. Murdstone. Plus, his name was Murdstone!

My mom's sensitivity: life. Except that I didn't know it. Sure I had gleaned some details from the past, and I'd first hand witnessed some violence. But I wasn't after her, or her story. I was writing my own. It was fiction.

As for the suicide, it was the biggest crescendo I could built. The biggest. And I was sixteen. I needed a big finish. There was no subtle and then they work things out in the moonlight for me. It was go big or go home. To die.

No one has told me I had better change anything -- for its being too close to the truth -- for a long time. But everyone still looks for themselves, still assumes they know where it came from and what it's about.

But it's fiction.

Someday this will be a movie starring Drew Barrymore

I have work quitting or at least work flipping out fantasies. Among the best of these: Tom Cruise's flip out in Jerry Maguire . . .

and my favorite, Jim Carrey's back to you, fuckers, from Bruce Almighty . . .

Last week, I gave up $10,000. And while I didn't exactly flip out, or flip anyone off, I did sort of come to a screeching halt.

Last spring I was contacted to offer a couple of creative writing courses at Syracuse University: a lucky break for me. It was part-time work (aka adjuncting) but it paid well, and . .  well, it was SU. While I may have misgivings on the prestige of the big school for a lot of things (especially having gone to Le Moyne) I was not about to argue with the reputation of the creative writing program. Also, I could be teaching the next Lou Reed.

It went well. By which I mean to say, I liked it, but what I liked most about it was teaching creatively. I was also teaching a writing intensive on the interpretation of fiction: which is just what you think it is: a lot of interpreting, snow = death, inscribing pens = penises kind of thing.

In the fall, two sections of gender and lit opened up for the spring. Another writing intensive with even more pens, but with the added inscripted body, queer theory,  and performativity too.

It was a lot of work. And a good opportunity to show my mettle: gender / queer theory would have been one of my field exams, had I finished my Ph.D.

Ok: I have a problem with quitting.

I did this once before, my first time around in graduate school, in 1996. I had lost my funding. My first year, I was fully funded, working as an editorial assistant for Medieval & Renaissance Texts & Studies (MRTS). When it closed, and moved from Binghamton, I was shit outta luck. In fact, that might be the official language of the English department. I remember a shrug, and a I dunno coming from the chair when I went in to ask where else they could place me.

So my second year, I took a full time job as a proofreader / styles editor at Maple-Vail Book Manufacturing. When I thought I was going to get to read all of the Norton Anthologies (and get paid $7/ hour) I instead got to read an entire textbook on bovine venereal diseases. Seriously, inflamed cow vulva is nothing to laugh at.

I was studying full-time, working full-time and by October, I was pregnant. By December, I had to quit something, and the only thing I couldn't quit was being pregnant. (Yes, I know I could have. The baby was planned. I know. Who plans a baby in grad school? I do.)

So I left everything. School (leave of absence). Work. Binghamton. I found I could do one thing right then and that was have this baby.

Now, fifteen years later, I'm in the same boat. After struggling through the middle school years and watching my brilliant, (yes, I said brilliant) under-motivated son go from top of his class in Liverpool to bottom of his class in Clinton,* I decided something radical needed to be done. In the midst of a whole lot of bullshit sometimes you need to focus on one thing.

I pulled him out of school.

No one at the school district knows what to do with him. When I say this, I mean I haven't gotten any idea or solution from them that says "lets try this" that isn't just punishment. He doesn't need punishment. He needs inspiration.

We're in the midst of liberating here. We're homeschooling. And unschooling. And for the time being, following our curiosity towards doing whatever the fuck we want. To facilitate this, I quit my two writing intensives for spring. My move was deemed "unprecedented" by the department.

Unprecedented because I pulled out so close to the start of classes. Also, I expect, because in a highly competitive academic milieu, leaving for family issues just makes you a mom, when they thought you were a professional. Unprecedented because how could you give up $10,000 to stop everything and figure out how to teach your most important student? If I were a legit, full-time employee I might have been able to finagle a leave of absence, but when you operate as a satellite, they just kind of cut you loose.**

As always, I second-guess myself. I asked for a lot of advice. I got a lot of advice. A lot of it was super helpful. And I'm still getting lots of advice. I expect it will continue. Everyone (but the school, apparently) has ideas about how to raise and teach a child.

We had a meeting with the principal and the guidance counselor last week. A meeting where I expected to be offered some insight, some proposal, but what I got instead was a version of them telling on him, and what the told me was what I already knew. What I was prepared to say, instead, and what we did say, in a longer, more formal way was I got this.

You know what, I got this. Thanks anyway. And for the time being, I have to let go and not feel bad about my unprecedented decision to stop teaching 60 students in favor of teaching one.



*I'm not pitching some east cost / west coast Liverpool / Clinton thing here. Chances are, he would have done the same thing in Liverpool. But the reality is that he never got the chance to shine at Clinton. He was tracked into mediocrity and stayed there, and partially, my gut tells me that's because no one tried very hard to get to know him or notice his particular understated sparkle. That's right. I said sparkle.


** Also, yes, I know I am privileged to be able to make this decision at all. In another household, mommy would just keep working, and junior would just keep failing. Losing 10k is hard for us, but it's not the end. I'm not the sole or even the main breadwinner. And I'm still teaching one class: the fiction workshop.

I Don't Know How Anyone Does It

I never go to the movies. We went from being those parents who never go to the movies to the parents who still never go. It's a logistics hassle. Not a nightmare, just a hassle. Netflix is so much easier.

Last night, however, I went to see I Don't Know How She Does It, with a new friend. It was an old-fashioned get-to-know-you girl-date. Afterwards, in the car, we both agreed the movie was pretty much what we expected and not as funny as we wanted it to be.

Then I said, I found it to be stressful.

She laughed. Maybe that's because you're a mom? she said.

Maybe. It's because that shit is true, I said. And I didn't like that. I didn't want the movie to have an agenda, but it did address head on the myths and truths of working women. If you act like a man, you're aggressive and difficult. If you act like a woman you're moody and difficult. Either way, you're difficult.

But there were other things -- more subtle things -- that bothered me about the movie. I wanted Greg Kinnear's character to be stronger. I wanted him to get angrier than he did. To be less of a dream boat supporter. He was a great dad, and totally -- totally -- cute in his glasses. But his near passivity annoyed me.

I wanted it to be less of a fairy tale ending when the assistant had her baby. It was a little too "babies are difficult but they solve all of your identity crises" for me.

I would have slept with Pierce Brosnan's character. Or, okay, maybe I wouldn't have. But I would have wavered a lot more than SJP did. A lot.

One of the things I love the most about the fiction I love is when the people are really real. When they make mistakes. They make bad decisions. Things are hard for them. People get hurt. When the baby falls down the stairs because you're at work, something terrible happens. Greg Kinnear doesn't pick up all the pieces. And the baby doesn't fall down the stairs while you're working, because that feels didactic. He falls downstairs while you're right there. Watching. And there's still little you can do to stop it from happening.

I guess it felt like advertising to me. A shiny commercial for having it all, a career, beautiful kids, a hot nanny, a supportive and cute husband. The strong will not to sleep with Pierce Brosnan. I hope the book is better. But in truth, I'll probably never find out. I have too much to do. At least I can cross "blogging" off my list for today.